The Hunchback of Notre Dame by Victor Hugo
Antiqued First Page

The Hunchback of Notre Dame - Antiqued First Page - Victor Hugo

This single page item is a reproduction of the first page of Victor Hugo’s classic story, The Hunchback of Notre Dame. It makes for a terrific piece to frame and decorate a study or bedroom!

The page is standard 8.5" x 11" in size and has been hand antiqued via our own unique paper aging process to achieve a look you won’t find anywhere else.

The actual page contains the following text (though please note that the formatting and font will be different as viewed on this page – see photo for exact formatting and look!):

The Hunchback of Notre Dame

By Victor Hugo

Book First
Chapter 1 – The Grand Hall

Three hundred and forty-eight years, six months, and nineteen days ago to-day, the Parisians awoke to the sound of all the bells in the triple circuit of the city, the university, and the town ringing a full peal.

The sixth of January, 1482, is not, however, a day of which history has preserved the memory. There was nothing notable in the event which thus set the bells and the bourgeois of Paris in a ferment from early morning. It was neither an assault by the Picards nor the Burgundians, nor a hunt led along in procession, nor a revolt of scholars in the town of Laas, nor an entry of “our much dread lord, monsieur the king,” nor even a pretty hanging of male and female thieves by the courts of Paris. Neither was it the arrival, so frequent in the fifteenth century, of some plumed and bedizened embassy. It was barely two days since the last cavalcade of that nature, that of the Flemish ambassadors charged with concluding the marriage between the dauphin and Marguerite of Flanders, had made its entry into Paris, to the great annoyance of M. le Cardinal de Bourbon, who, for the sake of pleasing the king, had been obliged to assume an amiable mien towards this whole rustic rabble of Flemish burgomasters, and to regale them at his Hôtel de Bourbon, with a very “pretty morality, allegorical satire, and farce,” while a driving rain drenched the magnificent tapestries at his door.

What put the “whole population of Paris in commotion,” as Jehan de Troyes expresses it, on the sixth of January, was the double solemnity, united from time immemorial, of the Epiphany and the Feast of Fools.


Our antiqued paper is delicately laced with a subtle hint of gold in the creases creating an almost magical look. (Although it’s difficult to catch with a camera, you can see in the image below how the shimmering is caught in the light)


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